The Conquest, triptych
'Cristina Rodriguez's art work is a tribute to life. Highly charged with sentiments, her immense paintings are full of colour, of feeling, and, above all, faith.'
Victor G. Ricardo, former Colombian Ambassador in the UK
Cristina Rodriguez was born in Bogota, Colombia in 1964. Since 1989, she has lived and worked in London. A passionate traveller, she has journeyed extensively in South America, Europe and Africa, finding enrichment and inspiration in the familiar and extraordinary practices and customs she encounters.

Although her paintings sometimes contain elements of the abstract and surreal, they are always emphatically figurative. Characteristic of her work are the bold outlines of the figures or objects, the curve and curl of the forms and the simplified areas of solid colour which clarify the whole pictorial concept.

Simplicity and a joyous passion for colour: these are the compositional keynotes of Cristina Rodriguez's art - clearly revealing the lasting impact of a childhood spent in Colombia with its rich heritage of folk art, primitive art, narrative art, story-telling, myth and fable.

Among her many other influences, Cristina Rodriguez cites a love of Early Italian Renaissance art, in particular the quiet and reverential frescos of Fra Angelico, primitive art in all its forms and the great colourists of the twentieth century in particular Chagall, whose floating gravity-defying figures and animals find their counterpart in her own work.

Cristina Rodriguez has retained the child's ability to believe the unbelievable and to see the magical in the mundane. She draws her subjects from the real and the imaginary, fusing fantasy and perception into one.

Her paintings with their animals, dwelling places, radiant landscapes, domestic rituals and everyday objects welcome us inside. At their centre are love and tranquillity.

The peaceful atmosphere she achieves is the tangible expression of her own longing for the ideal in life, and her fervent wish to eschew the ugliness and cruelty of the world. These are not spontaneous creations, but deliberate works of art which have been thought out, dreamed over, reflected on. Their purpose is to give joy and comfort and above all to affirm life. In their simple direct way, they appeal to our emotions, evoking harmonious associations and creating recurrent sensations of serenity and beauty. We are disarmed and our hearts open to the magic of her art.

Gillian Adam, 2007

'Just as bright flowers are planted in the face of loss, so her pictures affirm life in the face of the world's destructive urges' (Luke Elwes, Imaginary landscapes, 2006)